DownBeat September 1999 [antikvár]

llippitiii Ihroujjh llie firsl kn\ pa^i-s i»l this issuo. you've pfobably ahvady noliced sonio layout changes. Tlial's ri^'hl, wove redesi.ciied Down Beat, aiui with a specific .ijoal in iniiul: lo i^ive ivadoi s even nioie of wlial they expect from tiiis inajiiizine. Our redesign involves more than just changing Uie look of Down Beat. 'Hiis has been an opponunity lo revamp entire edi-lorial departments, lo introduce columns and set new grooves to classic themes. \\'eVe worked to do more lhan just tiike old ideas and dress tliem up; it's been iui occasion to refocus, bolster and improve the depiuinu III (Page 12) uill focus on some oí the hardest-wiiiking instrumentalists and vocalists on ihe sci-ne today. This depail-ment will provide a ioiiini for these ailists to share ideas and strategies that our musician-readers can use to their adviuilage. For our many readers who play music al the piofessionai and semi-professional levels. we present the debut of Toolshed (Page 78) as a complement lo our longstanding Woodshed departJiienl. Toolshed will review the besl new musical products, including keyboards, woodwinds, brass-winds, drums percussion, guitars, home Jazz has thrived beyond U.S. shores for decades, as scofflaws Oscar Peterson (right). Flip Phillips and Norman Granz proved long ago during a Jazz At The Philharmonic tour of England. magazine's editorial content as well as look. One thing Down Beat readers deinand is more overseas reporting. So starting this month, our Jazz World department (see Page 18) will spotlight news and trends around the globe. Jazz may have originated in the States, bul il quickly became the music of the world; it fosters connections between artists on six continents (we're not aware of any players in Anlarclica). and we feel this global jazz coinmunily merits more attention. As a musician's magazine. I )own Beat has always covered ihe stars of jiizz. Bul we look for ways to give credil to those ailisls who are sidemen !o Ihe stars, and lo imi)oi1anl bandleaders and composers who arc overshadowed by thi- l)igg'r names and major record labels. As a result, our new Players recording, software and accessories. We've added some new columns just for fun. loo. like Tlie Insider/The Outsider (a guest editorial column for individuals inside and outside of the jazz industry) and Backstage With (a quick-hitting, infonnal Q&A session). And well drop in a few more as the montlis go by. just lo keep you on your toes. As for Ihe look we're sliiving toward: We feel the revamp offers you a new level of readability and elegance. And by using the most personal, direct images our photographers can cai)ture, we hope lo further slrenglhen the connection between reader and subject. Overall, we'll be working hard to gi'ab your allenlion and, once we have il, give you an exclusive look behind (lu-scenes ol' Ihe iaz/ world. do by ed enright IT 1 enja CREATIVE MUSIC FROM AROUND THE WORLD!! New releases from two of Enja's best-selling artists!! " Rabih Abou-Khatil Yara enj-cd-936o Brilliant new film music from this master composer/oud player Also by Rabih Abou-Khalll on Erja; Odd Times (9330); Arabian Wattz w. the Balanescu Quartet (9059); The Suttan's Picnic (8078): many more AFRICAN SUITE! Abdullah Ibrahim African Suite - For TYio String Orchestra

Termékadatok

Cím: DownBeat September 1999 [antikvár]

Szerző: Dan Ouellette Michael Bourne

Kiadó: Maher Publications

Kötés: Tűzött kötés

Méret: 210 mm x 280 mm

Dan Ouellette művei

Michael Bourne művei

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Amennyiben az Ön által választott könyvesbolt neve mellett 1-5 szerepel, kérjük kattintson a bolt nevére, majd a megjelenő elérhetőségeken érdeklődjön a készletről és foglalja le a könyvet.

Baja, Family Center Líra Könyvesbolt

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Baja, Family Center Líra Könyvesbolt

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Baja, Family Center Líra Könyvesbolt

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Baja, Family Center Líra Könyvesbolt

1-5

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