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Judged by number of works, Giacomo Puccini left behind a relatively slender œuvre . Nonetheless, the most popular of his operas as well as the “minor pieces” pose some-times thorny bibliographical, editorial, and source-critical problems. The composer of La Bohème and Madama Butterfly constantly tinkered with his compositions, and the changes are reflected in a welter of conflicting printed editions. Dieter Schickling’s detailed thematic catalogue brings order into this editor’s nightmare while offering complete coverage of all of Puccini’s music, including the surviving drafts.