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[email protected] Calls cost 7p per minute plus your phone company's access chargeAll content copyright Anthem Publishing Ltd 2015. all rights reserved. While we make every effort to ensure that the factual content of Guitar SBass magazine is correct we cannot take anyresponslblity nor be held accountable for any factual errors printed, please make everyANTHEMPUBLISHING fflspecifications with manufacturers prior to purciiase. No pan of this publication may be reproduced, stored in a relrievai system or resold itnout prior consent of Anthem pubiishiB Lid. OMar t Bass uagaiine recoEnises all copyrights contained williin Ihe issue where possible we acknowledge the copyright holder.H independent publisherawards 2014winner- Independent Publishing Company of the YearThese boots are made for stompin'When The Rolling Stones grabbed the Zeitgeist by the scruff of the neck with a three-and-a-half-minute blast of sexual frustration and commercialism in the summer of 1965, it also announced the arrival in the mainstream pop sphere of the stompbox guitar effect. Keith's use of the Maestro FZ-l Fuzz-Tone on (I Can't Get No) Satisfaction was a sensation, and all available stock of the pedal sold out by the end of the year. It wasn't long before the sounds created by guitarists experimenting with the new floor-based guitar effects units were all over the hit parade.Fast-forward to 2015 and effects pedals are everywhere; social media platforms and web forums bristle with pictures of people's stompbox set-ups, with most modern players preferring the convenience and stability of a pedalboard rather than a chain of units spread across the stage, rehearsal room or even bedroom floor. Compact effects have been around for decades, of course, but the new breed of micro pedals makes it possible to have an even more space-efficient pedalboard set-up than ever.While assembling your whole board using the tiniest pedals available is perfectly viable, most of us have a couple of larger, old faithful units that we consider to be indispensable, so we end up with an assortment of enclosure sizes at our feet. This month, our cover feature looks at the phenomenon of micro pedals and small pedalboards in depth - if you are tempted to downsize but don't know where to begin, read this first! The real beauty of pedals is, of course, that you don't need to spend a lot of money to make a big difference to your sound, and we can all get on board with that I yuu QIC ICIII|JICU LUGET IN TOUCH SUBSCRIBEFACEBOOKfacebQok.com/ TheGuitarMagazineTWITTERiiguitarmagazineINSTAGRAM @guitar.bass.official Or email guitarandbass @anthem-publishing.comTurn to page 56 to take advantage of this month's special Guitar & Bass subscription offer.guitar-bass.net SEPTEMBER 2015