My Romance [antikvár]

48PLAYINGTIPSALL THE THINGS YOU AREThis arrangement should be played with delicacy and great leeling. Use of an automatic rhythm unit is not suggested. At measure 17. the tempo must be slightly increased for the Beguine accompaniment to be effective. Observe the "ritard" in measure 24 to help you return to the original slower tempo of the beginning of the song. The descending pyramid in measure 30 is shared between the two hands and meant to to be played in an unhurried manner.CANADIAN SUNSETThe introduction for this arrangement provides an excellent opportuni ty to use both feet on the pedalboard. Heel/Toe markings for the righ foot are shown above the notes with A indicating toe and^-'the heel. A the , the right hand begins while the left-hand accompaniment bor rows the opening pedal motive. At measure 13, a new rhythn is in troduced in the pedal part and correct counting will take an added im portance if this accompaniment is to be effective. Use a bright "up tempo" feeling at measure 23.A FINE ROMANCESuggested Automatic Rhythm: Swing or Fox Trot A short, detached style of playing is desired to complement the sarcastic nature of the lyrics. The mood of the song should be light and unhurried. Beginning at measure 9, you will need to practice each hand and the pedal part slowly and carefully to achieve the necessary accuracy of this section of the arrangement. The repeat and fade ending is designed to leave the question of a "fine romance" unresolved.I WANT A GIRLSuggested Automatic Rhythm: Dixieland or Fox Trot Here's a "fun" tune with a gay 90's spirit that you're sure to enjoy playing. Its mood is light and carefree throughout and the arrangement should be learned very quickly and easily.GOIN' OUT OF MY HEAD Suggested Automatic Rhythm: Rock or Ballad This song consists of two contrasting melodic themes. The opening theme should be played in a very simple, straight forward manner. At measure 17. the strong and driving mood of the second theme is complemented by a more active left hand and pedal part. Play this section vigorously and with full volume. The final portion of the arrangement returns to the original mood, and the sound delicately fades away.I WILL WAIT FOR YOUSuggested Automatic Rhythm: Fox Trot or Ballad This arrangement is designed to gradually build in intensity. The beginning should be played with a rigid feeling and any type of sentimentality should be avoided. Let the mood of the music brighten at measure 19 to highlight the dialogue of right hand and pedal As the intensity grows even more, you'll need to increase the volume and move freely into the exciting final section at measure 29.THEY DIDN'T BELIEVE MESuggested Automatic Rhythm: Ballad or Fox TrotAfter the ad lib introduction turn on the automatic rhythm. Choose atempo that is moderate, but not too slow Throughout the arrangementbe sure to observe the keyboard indications for the hands. Thesekeyboard changes are important to the overall effect of the song.WATCH WHAT HAPPENS Suggested Automatic Rhythm: Beguine or Latin Play this song slowly, with great expression Create a melancholy mood- Play the chord changes smoothly to add continuity to your playing. The last six measures should be played in an unhurried and delicate manner.WHY DO I LOVE YOU?Suggested Automatic Rhythm: Ballad or Fox TrotThis favorite standard ballad should be played in a relaxed and naturalmanner. Choose a tempo that is moderate and flowing The left handfills, beginning at measure 26. should be practiced alone, payingcareful attention to the fingering.YOU'LL NEVER WALK ALONEThe success of this arrangement relies more on registration than anything else. At measure 4, the melody begins in the pedal and is supported with a sustained left-hand chord and a chime-like effect m the right hand. The emotional intensity builds when the left hand takes over the melody at measure 12, while the right hand plays a broken chord (still with the sustain registration). The entrance of the melody m the right hand appears at measure 21 and continues to the end of the arrangement Set the Tremolo at Chorale (or Slow) for the last five measures and play majestically to the end.