Bővebb ismertető
T JL an Ha3biBaeMbie TaÖJieTKH (to ecn> HeőojibuiHe hkohkh, HanncaHHbie Ha Tyro npojieBKaineHHOH naBOJiOKe) uiHpoKO npHMeHHJiHCb, HacKOJibKO HaM H3- BecTHO, jiHiiib Ha PycH. HeflapoM ohh üphbjickjih Taicoe BHHMaHHe aHTHOXHHCKOro naTpHapxa MaxapHa, Hbe nyTemecTBHe b Pocchio b nojiOBHHe XVII BeKa onncaji ero cmh apxHflHaKOH riaBeji AnenncKHH. M3 HHacenpHBOflHMoro TeKCTa HBCTByeT, HTO 3TH TaŐJieTKH ŐblJIH flJIH HHX HeM-TO HeOŐblHHbIM H ÜOSTOMy OHH hmh jkhbo 3aHHTepecoBajiHCb npH nocemeHHH MOCKOBCKOTO YeneHCKoro coőopa: „3Haá, hto b 3T0H bcjihkoh ijepKBH, a TaiüKe b coöopax ApxaHrejibCKOM h BjiaroBemeHCKOM H BO MHOTHX ŐOJIbUIHX l^epKBaX H MOHaCTblpHX HaXOflHTCH KOBHerH Hanofloöne khhth, KpbiTbie öapxaTOM hjih napnoíí, nocepeőpeHHbie h n030Ji0HeHHbie. Ohh 3aKJiK>HaiOT b ceőe flBeHaflijaTb H35imHbix hkoh Ha TOHeHbKHx floinenKax1, Ha. KaaKflofí hkohc c oőenx CTOpOH H3o6paaceHbi cBHTbie oflHoro Mecai^a; hjih KOBHer 3aiuiK)HaeT b ceőe rnecTb 0Öpa30B, h Tor^a Ha KaxflOH cropoHe oőpaja őbiBaeT H3o6paaceHHe cbhtwx oflHoro MecHija. 3th KOBnern HMeHyioTca rojjoBblMH, HŐO B HHX 3aKJHOHaiOTCH HKOHbl BCeX CBflTblX, KOHX IiaMflTb COBepHiaeTCH b TeneHHe flHeá ro^a, co bccmh roenofleKHMH npa3#HHKaMH, ceMbio (BcejieHCKHMM) COŐOpaMH H HHbIMH npa3flHHKaMH H CBHTbIMH, rpeHeCKHMH H pyCCKHMH. B Ka^KflOH T JL he use of the tablets, the small-size icons painted on well-primed canvas, was widespread only in old Russia, to the best of my knowledge. It is not surprising that they attracted the attention of Patriarch Macarius of Antioch, whose travels to Russia in the middle of the seventeenth century were described by his son Archdeacon Paul of Aleppo. That the tablets seemed unusual to them and aroused particular interest on their visit to the Dormition Cathedral in Moscow is evident from the following text: "Know thou, that in this great church, as in the cathedrals of the Archangel and of the Annunciation as well as in many other large churches and monasteries there are caskets (kovchegy) on the order of books covered with velvet or brocade and decorated in silver and gold. The caskets contain twelve exquisite icons painted on thin boards1. On both sides of each icon there are representations of the saints of one month, or a casket may contain six icons in which case the saints of one month may be represented on each side. Such caskets are known as annual tablets, since they comprise the icons of saints commemorated throughout the year together with the feast-days of our Lord, the Seven Ecumencial Councils, and other