Something Old Something New [antikvár]

48 punuB =TIPS= BOOGIE WOOGIE BUGLE BOY Suggested Automatic Rhythm: Swing or Fox Trot The tempo and mood of this song should bring back memories of the big-band era. Throughout much of the arrangement, the pedal imitates the familiar "walking" pattern of the String Bass player, while the chords retain the sustained character of accompanying woodwinds. Beginning with measure 17. be sure to observe the slight change in the left-hand rhythmic treatment. Play the quarter-note chords crisply when they precede a rest. In measure 29, the left-hand accompaniment provides a march-like background for the "Reveille" character of the melody. DON'T SLEEP IN THE SUBWAY Suggested Automatic Rhythm: Slow Rock or Jazz The four-measure introduction sets the mood for this contemporary song. Play the left-hand chords firmly against the opening scale pedal pattern. Several different accompaniment patterns are used to create the "mod" character of the music, so practice each of the patterns slowly before adding the right-hand melody. At the * sign, a change to the key of Eb is indicated. Be sure to flat all B's, Fs and A's. When making the first repeat, notice the return to the original key of C. To continue the character of the song, a Repeat and Fade ending is used. EARLY IN THE MORNING Suggested Automatic Rhythm: Rock or Fox Trot A rock rhythm accompaniment with pedal patterns provides the drive essential to the opening section of this song, In the first eight measures following the ^ sign, the right-hand harmony simulates a countermelody. Therefore, it is important to observe the indicated note values for the proper effect, At measure 27, the left-hand single notes fill out the music into a trio. All of this is designed to create the hustle and bustle of a "busy morning's" activities. FOR SENTIMENTAL REASONS Suggested Automatic Rhythm: Ballad or Swing The left-hand part of this lovely, romantic ballad should be practiced separately until you feel comfortable with the sustained chords and moving inner voices. At the end of measure 20, the right-hand part moves to the Lower Keyboard and is joined by a flowing left-hand countermelody. Suggested Automatic Rhythm: Ballad or Fox Trot In this arrangement, the variety of accompaniment patterns play a vital role in complementing the depth of the lyrics. Play the triplet quarter note pattern in the melody as broadly as possible, emphasizing the power of the words. It is important to remember that although the opening theme is played reflectively, each additional section builds in intensity through its dynamics and harmonic treatment to a resonant and powerful ending, OUR DAY WILL COME Suggested Automatic Rhythm: Latin or Swing This arrangement, written iri the key of D Major, should be played slowly with expression. At the % sign, the accompanying dotted-quarter and eighth-note pedal rhythm and supporting harmonic background complement the flowing melodic line. The second theme that begins at measure 17 is accompanied by a firmly stroked chord on each count of the measure, while the pedal provides the deep, resonant foundation. PUT YOUR HEAD ON MY SHOULDER Suggested Automatic Rhythm: Ballad or Fox Trot A touch of Rock "n" Roll is introduced in this arrangement. To capture this style, the left-hand part in measure 9 works into a brief triplet figure. Following the second theme, a full-fledged Rock "n" Roll triplet pattern is used to close out the next section. The final portion of the arrangement returns to the mood set at the beginning of the song, SO NICE Suggested Automatic Rhythm: Latin To simplify playing the right-hand triplet rhythm in the Introduction, first omit playing the second and third sixteenth-notes in each group so that the measure consists of eight even eighth-notes. Once you feel the even pulse, add the sixteenth-note triplets for the complete pattern. Play the Latin accompaniment crisp and clean and not too fast. To achieve the clearest sound, be sure to cancel the Flute 16' voice at measure 19. TAMMY Suggested Automatic Rhythm: Waltz The Introduction sets the mood for this lovely song. At measure 15, the left-hand broken chord pattern should be played smoothly with a slight increase of tempo. The final section returns to the original tempo and closes with a peaceful cadence. UNDER PARIS SKIES Suggested Automatic Rhythm: Jazz Waltz or Waltz The peacefulness of strolling under Paris skies should set the mood for this song. Carefully observe time values for all sustained notes to complement the flow and beauty of the music. The bridge section (measure 53) uses a countermelody in the left-hand and should be played freely. For a stronger registration on the Lower Keyboard, add a String 8' voice. Use of an Accordion setting, starting on count 2 of measure 84. would add even more variety.