Wild Swans [antikvár]

ACKNOWLEDGMENTS Jon Halliday has helped me create Wild Swans. Of his many contributions, polishing my English was only the most obvious. Through our daily discussions, he forced me into greater clarification of both the stories and my thoughts, and helped me search the English language for the exact expressions. I felt safer under his historian's knowledgeable and meticulous scrutiny, and relied on his sound judgment. Toby Eady is the best agent anyone could possibly hope for. He helped push me, gently, into taking up the pen in the first place. I feel privileged to be associated with such outstanding professionals as Alice Mayhew, Charles Hayward, Jack McKeown and Victoria Meyer at Simon & Schuster in New York and Simon King, Carol O'Brien and Helen EUis at HarperCollins in London. To Alice Mayhew, my editor at Simon & Schuster, I owe special gratitude for her insightfiil comments and invaluable dynamism. Robert Lacey at HarperCollins did a superb job editing the manuscript, for which I am deeply indebted. Ari Hoogenboom's efficiency and warmth on the transatlantic phone have been energizing. I am also thankful to all those who have worked on this book. The enthusiastic interest of my friends has been a perpetual source of encouragement. To all of them I am most grateful. I have received particular help from Peter Whitaker, I Fu En, Emma Tennant, Gavan McCormack, Herbert Bix, R. G. Tiedemann, Hugh Baker, Yanjiaqi, Su Li-qun, Y. H. Zhao, Michael Fu, John Chow, Clare Peploe, André Deutsch, Peter Simpkin, Ron Sarkar, and Vanessa Green. Clive Lindley has played a special role through his valuable advice from the beginning. My brothers and sister and my relatives and friends in China have generously allowed me to tell their stories, without which